This piece is the image of the 'unified' Ran7.1. It picks up on the upward dynamic, the wood and the…
And after Ran7?
One of the paths is that of returning to the item.
Items in “personal” sizes that can be held in the hands. Items that can be owned by individuals.
Items that can appear on walls.
These items must be whole. These are not framed monotypes but compositions in their own right.
In this series, if the material is recycled, it is because it is responsible. From this responsibility comes special attention. Pallet wood is sanded, rubbed with linseed oil, burned or engraved. The plaster comes from scraps, the nails are recovered, chosen, selected, just like the monotypes themselves from free places on the Ran7 matrices
Quoi après Ran7?
Une des voies est celle du retour à lʼobjet.
Des objets à tailles « personnelles » qui peuvent tenir en mains. Des objets qui peuvent être possédés par des particulier.
Des objets qui peuvent sʼinviter sur des murs.
Ces objets doivent être entiers. Ce ne sont pas des monotypes encadrés mais des compositions à part entière.
Dans cette série si la matière est de la récupération cʼest quʼelle est responsable. De cette responsabilité découle une attention particulière. Le bois de palette est poncé, passé à lʼhuile de lin, brûlé ou gravé. Le plâtre provient de chutes, les clous sont récupérés, choisis, sélectionnés, tout comme les monotypes eux- mêmes issus de places libres sur les matrices de Ran7
This piece is the image of the 'unified' Ran7.1. It picks up on the upward dynamic, the wood and the…
Gologotha - 2+1 - Three monotypes chosen from Ran7's matrices. Fabriano paper, pigment and linseed oil enhanced flush with the…
This piece is the counterpart of “blue stained glass”. Although made a little later, it was imagined at the same…
Typical of the hundreds of very small monotypes made from the remains of matrices, this one is a good representation…
This monotype is part of a series based on Ran7 matrix remains. The contrasts are strong in the use of…
Wisteria-The order is the opposite of what I was able to do on Ran7. The first layers are blue while…
Blue stained glass- Thirty five selected monotypes. Some are from Ran7 matrices, others are older. Various types of paper, pigment…
Daisy-Typical of the hundreds of very small monotypes made from the remains of matrices, this one is a good representation…
Australia-Selected monotype. This monotype is part of a series of Ran7 matrix remains but was quickly isolated from the others.…
Front-What if the sculptural approach was the right way to go? Erect the piece, erase the frame, give it a…
This piece mirrors Ran7.1. It takes up the upward dynamic, wood and nails but with a line of symmetry down…
This monotype begins like most others by finding a place on an unused piece of matrix. However, it was reworked…
Rx-Ecailles This piece is part of a wave of research into an "animated" Ran. The upper part of the frame…
This piece is the counterpart of “blue stained glass”. Although made a little later, it was imagined at the same…
© Thomas Collet | Ran & others artworks |
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