22x4s
The second place is the chapel of a former 19th century girls’ school.
There is little joy there.
If the place is not very beautiful, the environment is
It will be during a theater festival of wealthy and subsidized rebels…
I feel that it will be hard!
I start with different ideas.
I know that the light from the stained glass windows is essential.
A coffin that welcomes the monotypes?
A gallery, opposite the rows of stained glass windows?
And then I realize that the problem was the floor!
I felt a thousand painful knees bleeding time on the floor.
I know that here you have to see with your feet…
So I take the ramp of Ran7.1, the one from the factory
It will take off from the ground, it will take off the ground
Then it will pass through the barrier
The ground, blurred, will be newly inhabited, open
Disturbed and disturbing
The outside will invite itself inside
22x4s
The photos are by T. Collet and a 13 year old girl to whom I had entrusted my iPod… I forgot her name… may she forgive me…
Les photos sont T.Collet et d’une jeune fille de 13 ans à qui j’avais confié mon iPod… j’ai oublié son nom… qu’elle me pardonne…
Understanding space and measuring light
Appréhension de l’espace et relevés de la lumière
Measuring light, cleaning plates and nails
Relevés de la lumière, nettoyage des plaques et des clous
Structural consolidation, counterweight and backlighting
Consolidation de la structure, contrepoids et contre-jour
Work continues and people start to come out
Le travail continu et les individus commencent à sortir
The work of palette, population, possession can begin
Le travail de palette, de population, de possession va pouvoir commencer
© Thomas Collet | Ran & others artworks |
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